Ajeeb Daastaans Cast: Fatima Sana Shaikh, Jaideep Ahlawat, Armaan Ralhan, Nushrratt Bharuccha, Inayat Verma, Abhishek Banerjee, Konkona Sensharma, Aditi Rao Hydari, Manav Kaul, Shefali Shah, Tota Roy Choudhury, Sara Arjun
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Ajeeb Daastaans starts with Majnu, written and directed by using Shashank Khaitan. it’s far approximately a feckless Barabanki strongman (Jaideep Ahlawat) who provide in to his father’s diktat and marries a powerful Hardoi politician’s daughter (Fatima Sana Shaikh). Ours is a marriage of compromise, do no longer assume love from me, the person curtly tells his bride on the wedding night time.
The understandably stunned young female gathers herself soon enough and begins to look for love elsewhere. Her risky liaisons result in headaches that hinge not simplest on the husband’s indignation and jealousy but also on a records of violence that binds him to a young hunk (Armaan Ralhan) who does his bit to queer the pitch for the couple.
A tale of simmering passions and wounded egos have to have crackled. Majnu does not. no matter Ahlawat and Shaikh’s satisfactory efforts to up the ante and deliver the story a few heft, the movie falls manner quick of the crooked tangents it seeks. It examines small-town strength systems rooted in political strategies and social traditions however neither the structures, environs or the traditions are captured vividly enough. The drama of stifled dreams is never more than lukewarm.
Khilauna Written through Sumit Saxena and directed via Raj Mehta, Khilauna toys with the urban underclass in a stupid, superficial manner. A young woman Meenal (Nushrat Bharuccha) works in center-class houses to pay for the schooling of her kid sister Binny (Inayat Verma).The quit of the film is supposed to be unsettling but all that it manages to be is contrived because it emanates from a stray, risk free observation that Meenal makes to her precocious younger sister when the latter asks her whether or not she planning to make a infant with Sushil. Neither this communique nor the appalling act that it results in serves the movie’s avowed reason of elucidating the dynamics of the elegance divide. Khilauna inns inside the essential to huge strokes, opting for the perfect strategies to spotlight the yawning gap between the effective and the servants they employ. Nushrat Bharuchha is miscast because the maid and that is best the least of the problems that beset Khilauna.
The only tale that lifts up this unimpressive anthology is Neeraj Ghaywan’s Geeli Pucchi or Sloppy Kisses. Konkona Sen Sharma performs Bharti Mondal, a Dalit worker hired in a factory dominated by guys. despite having relevant ranges, Bharti isn’t being able to taste achievement because her manager is brief to remind that it’s a privilege handiest enjoyed through human beings belonging to higher castes. Bharti develops an unexpected friendship along with her Brahmin colleague Priya (Aditi Rao Hydari) however don’t count on the story to tread the beaten tune.
Ghaywan nails Geeli Pucchi in the way he depicts homophobia, patriarchy, caste, elegance and privilege. A supposedly being concerned husband insists that his wife’s friend persuade her to depart the task just because she has given delivery. every other ‘open-minded’ individual flinches and hesitates to upward push beyond her prejudices. Separate tea-cups, exceptional life, selecting what to devour – Ghaywan points out that our everyday actions reveal our inherent and deep-seated biases.
Each Bharti and Priya are morally questionable characters. they are oppressed, however the collective rage does no longer translate in helping every other out. Bharti’s U-turn in the end diverts our emotions for her. All credit score goes to Konkona and Aditi for making us root for them in the beginning, handiest to be bowled over later. Konkona’s restrain complements Aditi’s electricity, and it’s clean to look Hydari discover components that permits her to exhibit her expertise.
The movie significantly uses sign language, interspersed with loud arguments between Natasha and her husband. In signal language, Natasha is able to convey what she can’t to her family. The exchanges between Natasha and the artist also are hilarious. but the stunning movie receives derailed ultimately. The change in Natasha’s mindset and the inconsistency of the individual are definitely uncalled for.
Despite the issues, Ankahi makes for a great watch because of Shefali and Manav. each of them lend a poetic high-quality to the script. They don’t attempt too tough to ideal the sign language, that is why we feel the ache, the insecurities, the worry that their characters are going through.
Ajeeb Daastaans units out to experiment with a concept: that seemingly fine humans aren’t always without flaws. just because some of them have been wronged or have been dealt with with apathy does now not cause them to perfect or beneficial. the biggest flaw, however, is that for most of the stories the aim and the outcome don’t go hand in hand.
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