There are worse matters one should do than bask in a relaxed little romance these days, when we’re all cooped up at domestic craving a few meaningful human contact. If simplest author-director Vicky Wight’s on-call for drama “The lost Husband” ought to have stuffed that void via audaciously embracing a number of the more syrupy, maybe even steamy factors of an frequently unfairly slighted genre.
As a substitute, Wight provides a sedated Hallmark-y attempt that just tips at heightened emotions — the very sort of rush underserved romance visitors come to this fare looking for — only to repeatedly interrupt and abandon them in perplexing methods. similarly confusing is that misleading name. Suffice it to say that Wight’s predictable fish-out-of-water story, adapted from bestselling author Katherine middle’s 2013 novel of the same name, isn’t about a husband at all, however the widowed spouse he leaves behind in his wake.
She is Libby Moran (Leslie Bibb), a good-natured mom of who seems no much less misplaced than her recently deceased husband Danny (Kevin Alejandro) we best get to fulfill throughout a pair of by-the-ebook flashbacks. (inside the maximum recoil-inducing one, Libby may be heard foreshadowing a tragedy with, “some thing terrible goes to occur!”). Bored stiff with her egotistical figure’s hardened indifference, Libby walks out on her, heading to her lengthy estranged aunt Jean’s (Nora Dunn) Texan goat farm to make a brand new start.
Leading a satisfying and calm u . s . existence with strenuous needs the suburban Libby is unexpected with, the no-nonsense Jean takes Libby under her shielding wing without delay, guiding her till-then comfort-minded niece with an uncompromising sense of subject. In her farm, everybody, including animals, has an vital task to do, she regularly stresses.
In case you’re rubbing your eager palms collectively in anticipation, allow me to confirm that but underdeveloped, a love affair does spark between Libby and James. The pair skip over a meet-lovable, however the material nonetheless grants some style charms via other manner, in particular when the duo by chance finds itself locked in a cooler room for hours, bantering and getting to know every other as a result. What’s irritating is, Wight does little or no with that setup, deserting the two and their undercooked chemistry for long stretches of time to look for juicy twists in different avenues. but the ones regrettable departures don’t exactly land.
The script spends a large amount of time with, but then lamentably misjudges a excessive incident of college bullying related to Libby’s young daughter — no college administrator could be that apathetic towards a new scholar who’s been burdened because of her limp. somewhere else, an extended-buried own family mystery sooner or later receives discovered, incomes not an awful lot extra than a shrug from the target market who’d rather witness the subsequent flow among the fanatics-to-be. meanwhile, a pair of paper-thin helping characters get shamelessly sidelined — the devoted Herizen Guardiola’s bubbly townie Sunshine serves no motive other than assist Libby recognize hers. gambling Sunshine’s father, Isiah Whitlock Jr.’s welcome presence is going to waste, together with his character merely decreased to comic remedy.
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